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Jean Auguste Dominique Ingres The Birth of Venus (mk04) 1808-1848
Oil on canvas,
193x92cm
Musee Conde,
Chantilly
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Jean Auguste Dominique Ingres The Source (mk04) 1856
Oil on canvas,
163x80cm
Musee d'Orsay,
Paris
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Jean Auguste Dominique Ingres Apotheosis of Napoleon I (MK04) 1853
Oil on canvas,
48x48cm
Musee Carnavalet,
Paris
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Jean Auguste Dominique Ingres Self-Portrait at the age of 78 (mk04) 1858
Oil on canvas,62x51cm
Galleria degli Uffizi,
Florence
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Jean Auguste Dominique Ingres Portrait of Delphine Ingres,nee Ramel (mk04) 1859
Oil on canvas,
63x50
Sammlung Oskar Reinhart,
Winterthur
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Jean Auguste Dominique Ingres Edouard Manet Olympia (mk04) 1863
Oil on canvas
130.5x190cm
Musee d'Orsay,
Paris
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Jean Auguste Dominique Ingres Oil sketch for the Turkish Bath (mk04) oil on paper,
25x26cm
Musee Ingres,
Montauban
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Jean Auguste Dominique Ingres Madame Riviere (mk05) Canvas 46 x 32 1/4''(117 x 82 cm)Salon of 1806 ;bequeathed by Mne Veuve Riviere,daughter-in-law of the sitter 1870 M.I 1446 (G/AR)
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Jean Auguste Dominique Ingres Madame Panckoucke (mk05) 1811
Canvas 36 1/2 x 28''(93 x 68 cm)Donated by Carlos de Beistegui in 1942;entered the Louvre in 1953 R.F 1942-25 (G/AR)
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Jean Auguste Dominique Ingres Philibert Riviere (mk05) 1805
Canvas 45 1/2 x 35''(116 x 89 cm)Salon of 1806;bequeathed by Mme Veuve Riviere,daughter-in-law of the sitter,1870 M.I 1445 (G/AR)
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Jean Auguste Dominique Ingres Mademoiselle Caroline Riviere (mk05) 1805
Canvas 39 1/4 x 27 1/2''(100 x 70 cm)Caroline Riviere died at the age of fifteen in the year this portrait was painted .salon of 1806;bequeathed by Mne.Veuve Riviere 1870 M I 1447 (S/AR)
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Jean Auguste Dominique Ingres Oedipus Explains the RIddle of the Sphinx (mk05) 1808
Canvas 74 1/2 x 56 1/2''(189 x 144 cm)Sent from Rome to Paris in 1808;Retouched Before the Salon of 1827;in Salon of 1827 but not in catalogue;bequeathed in 1878 R.F 218 (G/AR)
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Jean Auguste Dominique Ingres Charles-Joseph-Laurent Cordier,an Official of the Imperial Administration in Rome (mk05) 1811 Canvas 35 1/2 x 27 1/2''(90 x 70 cm)Background Probably painted by F.M.Granet Bequeathed by the Comtesse Mortier,daughter of the sitter,1886 R.F 477(MN)
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Jean Auguste Dominique Ingres The Bather of Valpincon (mk05) 1808
Canvas 57 1/2 x 38 1/2''(146 x 98 cm)Acquired in 1879 R.F.259 (G/AR)
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Jean Auguste Dominique Ingres La Grande Odalisque (mk05) Rome 1814
Canvas 36 x 64''(91 x 162 cm)Salon of 1819;acquired in 1899 R.F 1158(S/AR)
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Jean Auguste Dominique Ingres Roger Delivering Angelica (mk05) 1819
Canvas 58 x 75''(147 x 190 cm)Scene from Ariosto's Orlando Furioso,Canto X.Acquired at the Salon of 1819 INV. 5419 (MN)
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Jean Auguste Dominique Ingres Madame Marrcotte de Sainte-Marie (mk05) 1826
Canvas 36 1/2 x 29 1/4''(93 x 74 cm)Acquired in 1923 R.F 2398(MN)
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Jean Auguste Dominique Ingres The Apotheosis of Homer (mk05) 1827
Canvas 152 x 201 1/2''(386 x 512 cm)Salons of 1827 and 1833;formerly the ceiling painting of the Salle Clarac(room 252);removed in 1855 and replaced by a copy INV 5417 (G/AR)
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Jean Auguste Dominique Ingres The Sculptor Lorenzo Bartolini (mk05) Florence 1820
Canvas 42 1/2 x 34''(108 x 86 cm)Donated by Carlos de Beistegui in 1942;entered the Louvre in 1953 R.F 1942-24 (MN)
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Jean Auguste Dominique Ingres The Composer Cherubini with the Muse of Lyric Poetry (mk05) Paris 1842
Canvas 41 1/4 x 37''(105 x 94 cm)Acquired in 1842 INV 5423(G/AR)
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Jean Auguste Dominique Ingres
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J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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